Showing posts with label Science Fiction and Fantasy. Show all posts
Showing posts with label Science Fiction and Fantasy. Show all posts

Saturday, November 22, 2008

The Postman

The Postman

Falling from the Oscar-winning glory of Dances with Wolves to the opposite end of the critical and box-office scale, Kevin Costner must have been deeply humbled when this three-hour postapocalyptic tale--his sophomore effort as a director--was greeted with a critical thrashing and tepid audience response. One of the most conspicuous flops of its decade, the 1997 release must have seemed like a sure thing on paper: a kind of futurist Western starring Costner as a charismatic drifter-turned-hero who leads the resistance against a military tyrant (Will Patton) by reviving the long-dormant postal system to reunite isolated communities in their fight for freedom. The movie bombed, but, like many audacious failures, it's got qualities that make it at least partially endearing, and its earnestness (although bordering on corny) keeps it from being entirely silly. Faint praise, perhaps, but Costner's ode to patriotism is occasionally stirring and visually impressive. The dual-layered, widescreen DVD includes a documentary segment about the creation of the film's special effects sequences, featuring a running commentary by the special effects creators.

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Seed

Seed

This story of a supernatural serial killer is reminiscent of Stephen King s finest horror films. Prison guards fail to exorcise the evil in a murderer and inadvertently unleash a malevolent monster. The resulting reign of violence, with its extreme gore and torture, set a new standard for the horror genre.

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Witchblade - The Complete Series

Witchblade - The Complete Series

In this adaptation of the Top Cow comic book, Witchblade is the story of a New York detective, Sara "Pez" Pezzini, whose search for justice brings her into contact with the Witchblade, an ancient, intelligent, living weapon so powerful it can battle Earth's darkest evil forces. Week in and week out, "Pez" employs her skills as a police detective to fight crime. She finds she must employ the Witchblade to combat a much greater and frighteningly organized conspiracy of evil that threatens the very soul of humanity. As Sara tries to keep the secret of the Witchblade, do her job and have a personal life, she finds that her most formidable adversary may be the Witchblade itself.

Witchblade: The Complete Series stars Yancy Butler (As the World Turns), John Hensley (Nip/Tuck), and David Chokachi (Baywatch) and features guest star Roger Daltrey (The Who). This seven-disc collector's set includes all 23 episodes from seasons 1 and 2, the original made-for-TV movie and never-before-seen bonus features.

Product Description
Studio: Warner Home Video Release Date: 07/29/2008 Run time: 1122 minutes

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The X-Files: I Want to Believe (Three-Disc Special Edition + Digital Copy) (2008)

The X-Files: I Want to Believe (Three-Disc Special Edition + Digital Copy) (2008)

The feature film The X-Files: I Want to Believe is a satisfying if unspectacular installment in the X-Files series, taking place an unspecified time after the show's nine-year television run. Former agent Dana Scully (Gillian Anderson) is now a doctor, while Fox Mulder (David Duchovny) is being hunted by his former agency and living in seclusion. He and Scully are summoned back by a case involving a missing agent and a former priest (Billy Connolly) who claims to be able to see clues to the agent's whereabouts psychically, though his initial search turns up only a severed limb. Don't expect the usual cast of characters; the FBI has completely turned over (except for the George W. Bush portrait), and the only reason Scully and Mulder are back is because agent Dakota Whitney (Amanda Peet) remembers his success on similar cases involving the unexplainable. Don't expect the same rogues' gallery either; unlike the previous X-Files feature film, which was inextricably linked to the series' convoluted mythology arc (and served as a bridge between the fifth and sixth seasons), I Want to Believe is a stand-alone piece that makes use of the series' roots in horror/sci-fi and moody Vancouver, B.C., locales. Also unlike the previous film, which was almost self-consciously shot for the big screen, this film is on a smaller scale, like a double-length episode of the series. But it's still a good reminder of the creepy vibe that hooked fans for years. And the relationship between Mulder and Scully? It seems to have resumed pretty much where it left off, at least when you take into account the long period of separation. But stick around for the end-credit sequence to take in all the possibilities for the future. --David Horiuchi

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Friday, November 21, 2008

Doctor Who: The Complete Fourth Series (2008)

Doctor Who The Complete Fourth Series (2008)
One of the great things about the modern-day Doctor Who is how, each season, the episodes build off each other to help create truly epic and rewarding finales. This has never been more true than in the 4th season of this fantastic series.

This year, the Doctor takes on his third human companion, Donna Noble, who actually appeared in the season 3 premiere. While it's a rocky start for the pair--Donna lacks Rose Tyler's sense of wonder or Martha Jones's intelligent wit--she proves to fill the role admirably. Among their adventures: A meeting with Agatha Christie, a history-bending visit to ancient Pompeii, and the threat of foes both old and new.

But (SPOILERS AHEAD) the real treat of season four is the welcome (albiet somewhat brief) return of Billie Piper as Rose Tyler. And not just Rose, but ALL of the Doctor's recent companions, plus Torchwood - The Complete First Season's Capt. Jack and classic WHO companion Sarah Jane Smith (The Sarah Jane Adventures - The Complete First Season) are along for the 3-part season finale. I don't think it's a stretch to call the extended finale "Journey's End" the crowning achievement of the Doctor Who revival series.
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Journey to the Center of the Earth (2008)

Journey to the Center of the Earth (2008)
Journey to the Center of the Earth 3D is full of whizz-bang demonstrations of how far 3D technology has come--trilobite antennae quivering towards the audience, a T-rex lunging out of the frame, even affable star Brendan Fraser spitting on us--as well as a half-dozen action sequences clearly destined to become videogames or theme park rides. The plot is incidental: When a seismic geologist (Fraser) discovers his lost brother's notes in a copy of the titular Jules Verne novel, he and his nephew (Josh Hutcherson, Bridge to Terabithia, Zathura) head to Iceland. There, joined by a fetching mountain guide (played by Icelandic actress Anita Briem), they get trapped in a cavern and go down, down, down, finally arriving in a primeval underworld full of prehistoric beasts and carnivorous plants. It would be pointless to complain about the empty-headedness of it all; Journey to the Center of the Earth 3D aspires to be a kinesthetic experience. It wants to engage your adrenal glands, not your brain or your heart (the dialogue and characters are so generic, the script may have been cut-and-pasted from previous versions of Verne's book). Fraser, with his goofy handsomeness and accessible presence, provides a reasonably human axis around which all the frantic flying and swooping CGI effects revolve. The movie is as hollow as the world it depicts, but as mindless action movies go, you could do a lot worse. --Bret Fetzer
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Star Wars: The Clone Wars (Widescreen Edition) (2008)

Star Wars: The Clone Wars (Widescreen Edition) (2008)
After the horror that was The Phantom Menace, which I own for those insomina plagued nights, I knew that I was going to hate this movie. I read the bad reviews and I knew that I'd agree with them. But, I was dragged to see it and I knew that it would be a grim few hours.

This is one case where I'm glad that I was totally wrong. I liked the movie so much that I've been back to see it again. The acting, that many have cited as dry, was appropriate to the setting and the circumstances of the film. I really didn't expect to see cheerful and lively characters in a story about an impending civil war. The romance, although muted, was appropriate for two very young characters who probably have never had much experience with romance to begin with. The middle was mostly talk and no action. I like a film that takes it's time and lets itself develop, instead of assaulting the viewer with non stop action and little plot or character development. I really felt that it was essential to the film to have the characters talk, as this is the installment of the series that starts to explain why Anakin becomes Darth Vader and why the Republic falls. I wish they'd actually developed them a little more, personally.

Hayden Christiansen delivered a solid performance as a moody, confused kid. The fact that he wasn't overly eloquent helped me to believe that the cute kid in PM could actually turn into the nasty guy that I believed was hiding in my closet when I was growing up. Natalie Portman again reminded me why she's one of my favorite actresses. She was able to blend the strong assertive side of her character with an almost maternal caring for Anakin. Ewan McGregor and his dialogue tied in the shame that Obi-Wan displayed in the later episodes toward Darth Vader and the driving desire to rectify his mistakes.

The special effects were dazzling. The seismic charges blew me away (by far the best sound effect that I've heard in a while), the speeder chase was amazing and the set design was just beautiful. And seeing lightsabres glowing throughout an arena was a childhood dream of mine.

There were a few flaws, but overall, it was fantastic.
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Iron Man (Ultimate Two-Disc Edition + BD Live) [Blu-ray] (2008)

Iron Man
You know you're going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics' longstanding series, Iron Man puts billionaire industrialist Tony Stark (that's Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quit hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there's always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn't get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won't be able to guess it until it's on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. --Robert Horton
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Lost - The Complete Fourth Season

Lost - The Complete Fourth Season
DESCRIPTION:After Oceanic Air flight 815 tore apart in mid-air and crashed on a Pacific island, it s survivors were forced to find inner strength they never knew they had in order to survive. But they discovered that the island hold many secrets, including a mysterious smoke monster, polar bears, a strange French woman and another group of island residents known as The Others. The survivors have also found signs of those who came to the island before them, including a 19th century sailing ship called The Black Rock, the remains of an ancient statue, as well as bunkers belonging to the Dharma Initiative a group of scientific researchers who inhabited the island in the recent past. END
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